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Wolverine vs Cyclops - Schizm Alternate
If you're familiar with the fight between Wolverine and Cyclops during the events of Schizm, then you might share some of the same issues I had. Namely this: Wolverine has over a century of combat experience and knowledge... why is Cyclops even able to give Wolverine any issue? Now, Cyclops is by no means a punk and is a brilliant tactician; however, I just didn't agree with the ridiculousness that was the fight in Schizm. It took forever, and was essentially a lot of Cyclops bouncing optic blasts and Wolverine getting treated like a no-nothing. This fight should've only taken five panels, so that's what I did.
Dark Phoenix Saga - Re-telling
Project I'm currently working on for a client. It's had some redesign, but it's been a lot of fun. More to come!
Sequential Pieces
I like to tell stories, especially through art. Below are samples I've either done for clients for just for fun. If you like what you see and are looking for an illustrator for your story, please contact me. I'm more than willing to help.
![]() 1_Dark Phoenix Saga |
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![]() 2_Dark Phoenix Saga |
![]() X-Men Supreme_DarkP_p3.jpg |
![]() DarkPhoenixPage4_wm.jpg |
![]() W&C1 Mutual Disagreement_wm.jpg |
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![]() W&C2 Optic Blast_wm.jpg |
![]() W&C3 Proving a Point_wm.jpg |
![]() W&C 4 In Reality_wm.jpg |
![]() W&C5 How it should've ended_wm.jpg |
![]() Artifacts p 2.jpg |
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![]() Artifacts p 2 Inks.jpg |
![]() Artifacts p 3.jpg |
![]() Artifacts p 3 Inks.jpg |
![]() Artifacts p 4.jpg |
![]() Artifacts p 4 Inks.jpg |
![]() Artifacts p 5.jpg |
![]() Artifacts p 6.jpg |
![]() Artifacts p 17.jpg |
![]() Artifacts p 18.jpg |
![]() Artifacts p 19.jpg |
![]() Artifacts p 20-21.jpg |
![]() Artifacts p 20 partial Inks.jpg |
Top Cow Talent Hunt 2015 Submission
This year I'm doing pencils and inks only for this submission. Everything is off of the script for the Top Cow title: Artifacts, chapter 5. If you notice my annotations at the top, the art begins on page '2' as the first page in the comic was a rehash of the previous issue.
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